Jason Bateman's directorial debut lacks 
the courage of its misanthropic convictions


Though I think it really wants to be, Bad Words just isn't all that bad. Not really. Oh, it tries. Jason Bateman's Guy Trilby is a mean-spirited, grade-A prick. And he's got more than a few perfectly timed insults and dirty tricks waiting to be unleashed on an unsuspecting target. But as Bad Words' opening voice-over narration indicates, there's something wounded at the heart of Guy's nastiness. Plus, let's face it, Bateman, who embraces his rude and crude character with gusto, is too innately affable for us to despise. In a world filled with bad Santas, bad teachers and bad grandpas, his foul-mouthed asshole probably comes closer to Cameron Diaz's conniving schoolmarm than Billy Bob Thornton's unrepentantly misanthropic Kris Kringle.

Forty-year-old Guy is an eighth-grade dropout, which allows him to exploit a loophole in the rules of the Golden Quill Spelling Bee's annual competition. A copy editor by trade, Guy uses psychological warfare and his photographic memory to decimate his much-younger competition in regional bees, earning him the wrath of just about every parent alive. Now qualified to compete in the national championship, which, not coincidentally, will be televised for the first time, he runs afoul of the Golden Quill's prim tournament administrator, Dr. Bernice Deagan (Allison Janney), and its distinguished director, Dr. Bowman (Philip Baker Hall). Why is Trilby doing all this? That's what sponsor and online journalist Jenny Widgeon (Kathryn Hahn) hopes to uncover as Guy clears his path to victory. The only thing standing in our anti-hero's way is doe-eyed Chaitanya Chopra (Rohan Chand), a precocious 10-year-old Indian-American who craves Guy's friendship.

Reluctantly, Trilby accepts the boy when it becomes clear that they both suffer from daddy issues. Sneaking out after hours, he introduces the perpetually chipper kid to the disreputable joys of shoplifting, vandalism, booze and boobies. Many of the laughs come, of course, courtesy Chaitanya's wide-eyed innocence colliding with Guy's ferociously bad behavior. Referring to the kid as "Slumdog" or "Shawarma" and telling him to shut his curry-hole are easy laughs, but Bateman's a master of comic timing and his jokes hit more than they miss.

I do wish first-time screenwriter Andrew Dodge had given his protagonist worthier targets, though. Instead of using his shock value tactics to take down sacred cows, Guy comes across as a bitter prankster who uses racism and sexism as a humorously profane cudgel. A companion who attended the screening with me rightly asked how much audiences would have laughed if the kid had been black and Guy's potty-mouth slurs included such irreverent monikers as "Trayvon" or "Little Jungle Bunny."

What make such criticisms particularly valid is Bad Words' sentimental copout in the final act, which tries to explain away Trilby's venomous cruelties. Unlike Bad Santa, which had the courage of its misanthropic convictions, Bateman's movie (this is the first feature film he's directed) wants us to indulge Guy's antisocial behavior while letting us off the hook with the message that says, "Hey, deep down, he's really a good guy whose plan for revenge went a little too far." In other words, this black comedy wannabe ends up plucking at the heartstrings when it should be going for the jugular.

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