MOVIES

"DIVERGENT" IS A DYSTOPIAN DELIGHT!

Second installment of the popular series is a decent sc-fi romp

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Is it convoluted, maybe a result of adhering too closely to the novel it’s based on? Maybe.


Is the world it posits perhaps implausible? Could be. So what? The same applies to Harry Potter and Hunger Games flicks. The essential thing about Insurgent? It gets all the important stuff right. And the really clever thing about Insurgent? It elevates itself a step above the first film, last year’s Divergent, sneakily undercutting a lot of the tropes of what’s become a subgenre: the young-adult hero’s journey.


Offering us a girl protagonist is the least of this series’ novelty, though that’s rare enough in Hollywood. There’s almost nothing here that boys can’t identify with in the exploits of Tris Prior (Shailene Woodley) in her apocalyptic future sci-fi world. Boys should be able to recognize Tris’ difficulties of fitting in a societal system that divides people into Factions by temperament and talent but which doesn’t recognize that a person can’t be as easily defined as, say, nothing but brutally honest like members of the Candor caste, who work as lawyers, or always hippie-happy like members of the Amity caste, who are farmers or artists. Tris doesn’t fit in because she is a special case called Divergent, showing aptitude for all the Factions (which also include brainy Erudite, brave Dauntless, and selfless Abnegation). Don’t we all bristle at attempts to shove us into one confining box? That’s a discontent that knows no gender bounds. (Maybe some boys will be a little startled and a little upset to discover that girls can be as angry, aggressive and impetuous as Tris is here, though. Good.)


In Divergent, the Faction system, despite all its inherent unlikeliness, worked as a metaphor, on an individual level, for adolescent “no one understands me!” rebellion. Now, in Insurgent, it balloons into something much larger and much more culturally encompassing: dangerous tribalism that threatens peace and prosperity even as political leaders call, with unintended irony, for tribalism to protect peace and prosperity. The plot here revolves around a mysterious artifact that ruthless Jeanine (Kate Winslet), leader of Erudite, believes holds “a message from the Founders that will ensure the future we deserve.” Jeanine wants to “eradicate the Divergent crisis,” which she keeps saying is going to ruin the little oasis of civilization they cling to in a ravaged world, yet only a Divergent can open the box, which requires passing a test attuned to each Factional temperament. This might seem to be at odds with the rise of Divergents constituting a crisis ... but gosh, is it really so unrealistic that a power-hungry leader with extremely conservative leanings might misinterpret — either deliberately or out of blinkered rapaciousness — the intentions of the Founding Fathers, er, Founders?


Things get really, really dark along the way, and more brutal than YA stories usually get, as fugitive Tris and her friends alternately run from Jeanine’s Dauntless thugs right into the hornet’s nest for reasons that get overly complicated, but fine. Because, of course, Tris is the Divergent that Jeanine needs, and as Tris’ specialness comes to the fore — no spoilers! — it is accompanied by another busting of clichés: The power to affect real change in the world isn’t the result of anything fantastical, like the Force, but arises from our humanity, from our full, cross-Factional humanity. Which means that it is a power that’s within all of us, no midichlorians or magical parentage required.


New director Robert Schwentke continues the series’ ethos of not looking like other SF dystopias we’ve seen, with its interesting and probably fairly future-realistic urban ruin punctuated by blips of high-tech reclamation, and with its mix of people: Women exist as full participants in this culture, doing all sorts of jobs and holding all sorts of positions of power (such as the Amity leader played by Octavia Spencer, and the Faction-less leader played by Naomi Watts), and not everyone is white. Nothing we see in this movie should feel as radical as it does. In a more adventurous movie environment, Insurgent wouldn’t feel this fresh. But this is where we are now. It’s kind of where Tris’ world is. That’s not a good thing for us.

Divergent
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