The PRI 48-Hour Film Project screens the best films as decided by the judges at 7 p.m. July 13 at the Florida Theatre.
“Pushover” by Dads has a chance for a sweep as the film is nominated in all categories, including best film.
Joining “Pushover” in the best film category is “One & Change” by Mad Cowford and “Goodnight” by Best Friends. The three Best Film nominees are also nominated for best direction.
Both “One & Change” and “Goodnight” won an audience award for their respective screenings in Group A and Group C.
Best writing nominees include “The Philosophy of Psychology Series Video No. 24 "Romance” by Yeeaarrhh, “Pushover” and “Goodnight.”
“One & Change” and “Pushover” join “Sisterhood” by Ruby Red Productions with nominations in best cinematography.
Rounding out the nominations are the big three in “Pushover,” “One & Change” and “Goodnight” for Best Sound Design.
Other awards to be given out include best actor and best actress, best ensemble cast. Tickets to the screening are $10.
All of the films entered were viewed by judges and the nominees have been decided. The winners will go on to represent Jacksonville at Filmapalooza and be up for Best 48 HFP Film of 2013.
Each movie had to be written, shot, edited and scored in 48 hours to enter.
Chamblin’s Uptown is taking the theme of July's First Wednesday Art Walk — "Body and Wellness" — literally.
The Downtown Jacksonville bookstore is hosting the BodyArt Walk Tattoo Fashion Show July 3. Jennifer O’Donnell, the store's manager, came up with idea.
“We are promoting Art Walk and just trying to bring more people Downtown — more people and more diversity and maybe people who never usually come down for Art Walk," O’Donnell said. "We want to celebrate the tattooists as artists and the tattoos as art, because they are."
Chamblin’s has rented a cat walk to place in front of Snyder Memorial Church on Laura Street where those who wish to participate can strut their stuff. Those with tattoos are welcome to participate, no matter the size, color, placement or design. For those without tattoos, henna and body paint artists will be available. If you wish to participate in the BodyArt Walk, call 674-0868 by 5 p.m. July 3 to register.
Spectators at the fashion show will help pick the winners, who will receive gift cards from local downtown businesses, including Chamblin's Uptown, Strght & Nrrw and Icon Boutique. Participants will walk the cat walk while emcee Wayne Wood, a genuine renaissance man and founder of Riverside Arts Market, highlights their body art.
“When Jennifer told me about the BodyArt Walk, I said it was a great idea, and that it would give an extra spark to the monthly Art Walk," Wood said. "It would be a new celebration of art that is not celebrated often.”
As of June 28, 45 people had signed up to participate.
“We are hoping to get 100 — at least!” O’Donnell said.
Local bands Fathom Sphere and Memphibians will perform. A photographer will shoot pictures of the participants and their ink, and the photos will be displayed in various businesses and restaurants Downtown. Dancers, hula-hoopers, a fire show and more will …
In his first show at The Comedy Zone June 27, Keenen Ivory Wayans went straight for the jugular. From the moment he stepped on stage, he tore into Paula Deen's recent revelation that she had used racially charged languaged in the past.
Wayans sternly asked the crowd what they thought of Paula Deen and a few of the vocal fans yelled negative things about her.
Wayans beautifully played it off like it was going to turn into a heated debate, then knocked it out of the park with repeated hilarious jokes about racism.
Wayans never stayed on the same subject for long; he kept the audience laughing as he smoothly transitioned through every aspect of his life. He discussed up his five children and how his daughters have changed from the “Daddy’s little angels” they used to be. He said he thought he would be that kind of dad that would threaten boys to leave his daughters alone. Now he is practically trying to give his daughters away.
He talked about his marriage, divorce and dating as an older man. He recounted a time when he had a date and the day after woke up to 200 phone messages.
He joked that the messages start with "Hey, I'm thinking about you" and turned into "I know where you live!"
Jacksonville native Jeff Zenisek was the evening's host, and Josh Phillips was the opening comedian.
One putt separated first and second place at the Junior Amateur Golf Association Jacksonville City Junior Championship for the boys 15-18 division held at Deerwood Country Club June 17-18, according to a press release following the tournament.
First Tee member Jake Nelson won the boys 15-18 division, gaining him a place in the Tour Championship in November. Nelson earned his spot as the Hurricane Junior Golf Tour allowed three exemptions for First Tee players.
Nelson had a one-shot lead over Chase Berlin through 14 holes on the second day, but was level with Berlin after a par at the 16th by Nelson was beaten by a birdie.
More drama ensued as the 17th hole saw Nelson go up yet again after Berlin made his par putt and Nelson birdied.
All the action led to the 18th where Berlin made things very interesting by sinking his lengthy birdie putt. Berlin would end on an even par with a total score of 144.
However, after a brilliant second shot from Nelson that put him only three feet from the hole, a victory was nearly certain. Nelson tapped in his birdie to secure the win and a spot in not only the Tour Championship, but a Florida Junior Tour event as well.
Kathleen Duperval won the girls 15-18 division; she shot 3-over-par for the tournament, winning by four strokes.
Duperval went into the second day down by two strokes but battled back against Nagisa Miura of Bradenton, Fla. Miura shot a 78 on the second day as her seven birdie total of the tournament was not enough to help her overall score of 7-over-par.
Ponte Vedra native George Eubank Jr. won the boys 11-14 division with an even par score of 144.
An impressive first day gave Eubank Jr. a score of 68. However, the second day was a hard finish for the young golfer with a 76.
Cody Carroll, another local golfer, was tied with Eubank Jr. at 68 after the first day. He struggled the second day with an 81, putting him 9-over-par for the day.
The HJGT continues with tournaments …
Despite the threat of thunderstorms, country fans showed up ready to rock at the Country Rocks the Beach concert June 22. The show featured Craig Morgan and special guests Dustin Lynch and The Lacs.
The gates at Ybor Alvarez Outdoor Sports Complex opened at 3 p.m. and several opening bands played as fans poured in.
The Lacs, a band from Georgia that has gained recent notoriety in 2011, played some of their hits including their first single, “Kickin’ Up Mud.” They played their set all while sipping on beer and taking swigs from a Jagermeister bottle.
Soon after, Dustin Lynch took the stage, performing all his well-known singles including “She Cranks My Tractor.” The single, which debuted in the Top 50 on the U.S. Billboard Hot Country Songs list, pumped up the crowd, especially the girls as he swayed his hips in his tight black jeans.
After these two outstanding opening acts, the crowd was ready for Craig Morgan to come on. As soon as the sound of the tractor played over the loud speakers, Morgan appeared and began singing his single, “International Harvester.” The song from his 2006 album, "Little Bit of Life," is one of Morgan’s most popular hits.
Morgan continue the party by performing some of his other well-known songs like “Redneck Yacht Club” and “That’s What I Love About Sunday.” Both of these songs are from his album, "My Kind of Livin,’ " which was released in 2005.
He played all seven of his top-10 hits, including his single “Almost Home” from his 2002 album, "I Love It." Not only did it top the country music charts, this song earned him a Songwriter’s Achievement Award from the Nashville Songwriter’s Association International and also Song of the Year at the Broadcast Music, Inc.
Morgan sang his most popular songs, but he also let the crowd be part of his history by performing a new song never before played in public. …
Whether you want to sing a pirate tune with your mateys or enjoy some light-hearted comedy, the Colonial Crew Revue has a little something for everyone.
The variety show written by Scott "Grimm" Abrams takes place at St. Augustine’s Colonial Quarter every Friday and Saturday night. The versatile Picolata Players perform a musical based on the days when pirates still roamed the streets.
Although suitable for families, the show includes themes and innuendo for a pirate experience adults can enjoy as well. Unlimited refills of beer, sangria and wine are included for adults 21 and older.
The singing was great and each of the characters had different singing styles, but they all mixed together well. The character named El Comico, who was the goofy and funny heart-breaker, was chased around the stage and tripped over himself as scripted, yet sang perfectly the entire time.
The show got even better when Mayhem de Magnifico, the drunk and multi-talented trickster, awoke and started performing impressive magic tricks. The cast was very talented in many different aspects and it showed.
Easily the best part of the show was the audience interaction. The characters walked into the crowd almost every scene to have viewers add to the show and even join them on the stage at one point. The scene where Don Ramon Bellagrande and his “lovely wife” use the audience to tell the story of how they met would make anyone laugh.
Unfortunately, near the end of the June 21 show, it started pouring rain mercilessly. Some people left, but a surprisingly large amount of people, many without umbrellas, stayed to watch the end. The characters started throwing puns about rain into the show, which was obviously improvised. I thought that was wonderfully done and it let the audience know the actors and actresses recognized the sacrifice they were making to see the end of the show.
After the show, the cast members waited at the nearby Taberna del Caballo …
The decline of printed publications is old news; the age of computers has been upon us for quite some time. As magazine sales and subscriptions drop, elements and techniques used in print have evolved to accommodate the shift into a digital world — but not all of them. Print cartoonists are among those now asking themselves a question: How can a craft evolve in the digital world without sacrificing tradition and technique?
"Very Semi-Serious," directed and co-produced by Jacksonville native Leah Wolchok, takes a quirky look at the humor, art and genius of the single panel cartoon. The documentary homes in on the 88-year-old New Yorker magazine and the artists who have helped make it what it is today.
There is a unique likeness between documentaries and cartoons: Both seek to uncover truths about society in an engaging, witty and sometimes confrontational way. Drawn to filmmaking in college, Wolchok said, "it was the beauty of the reality of documentary form that captured my attention."
Diving into this project and interviewing dozens of artists has revealed a lot of hard truths about the nature of the cartoon business, she said.
"Cartoonists face extreme rejection. One out of 15 pieces will be sold, maybe — if they're lucky. It's not uncommon for artists to go weeks at a time without any sold."
The fierce competitiveness of the industry reflects the importance of cartoons; they are no laughing matter.
"Over the last 90 years, the cartoons have represented a chronicle of the world's political issues," Wolchok said. "New Yorker cartoons have provided snapshots of social movements, cultural events and historical controversies for decades."
They are not always laugh-out-loud funny, nor do they always make readers comfortable. Cartoons — specifically those published in the New Yorker — can be subtle, edgy, political statements that shape and express the opinions of generations.
"People feel a really personal connection to the cartoons …
The sold-out Capital Cities concert left the crowd at Jack Rabbits sore-footed, sweaty and smiling on the way out the door June 19 at Jack Rabbits.
The indie pop-rock quintet from Los Angeles had the crowd dancing while playing all but three of the songs from their debut album, “In a Tidal Wave of Mystery,” including the hugely popular “Safe and Sound.”
To close out the night, they played a remixed version of “Safe and Sound,” their Cash Cash remix.
Jack Rabbits allowed for an intimacy between fans and the bands, and Capital Cities stayed after the concert to talk with their fans.
The Dog Apollo, a local band from Jacksonville, played a seven-song set — including “Ghost” and “Spirit of the Plain" — to get the crowd on their feet and in the mood to sing and dance the night away.
Capital Cities started from pretty modest beginnings when jingle writers Ryan Merchant and Sebu Simonian met on Craigslist and came together to create the five-man band.
Vocalists Merchant and Simonian were accompanied by the jazzy melodies of Spencer Ludwig on the trumpet and the masterful strumming of guitarist Nick Merwin and bassist Manny Quintero. “Safe and Sound,” their first song, was released as an EP in 2011 and shot to No. 1 on Modern Rock radio.
The lights are low, and the chairs frame a circular stage set by a ring of embroidered pillows on a wooden floor. As Zeina Salame walks in and positions herself center stage, a calm settles over the room. With just her words and a flowing black piece of fabric, Salame transports the audience through space and time to Iraq during the U.S.-led coalition invasion. Salame’s one-woman performance of nine different Iraqi women’s stories is transcendent.
As the characters share pieces of their lives with the audience, the desperation in their voices is palpable. A desire like winds that fan the fading embers of the soul emanates from each of these women. Their desire is not just to find freedom but to find peace. Salame loves with these women, she cries with these women, she becomes these women. Each story is her story. Despite language and custom barriers, the dialogue is honest and identifiable.
These women are the surviving remnants of a nation torn by war and unspeakable violence. Through each monologue, we begin to see a clearer picture of what it means to be an Iraqi woman. An artist, a doctor, a 9-year-old girl, a rugged street-woman and a mother are among those who lay out their lives for the world to see.
Recounts of torture, shame, confusion and hopelessness are woven together with themes of strength and love. There was laughter along with sorrow and resilience despite the helplessness.
In one of the most powerful scenes, Amal, the artist, is killed by a bombing of her house. Nanna, the rugged street-woman, salvages some of her paintings after the explosion. All of Amal — her beauty, her rebellion, her passion — is lost, except for her paintings. However, the value of her life is reduced to $2, the amount Nanna pleads with passersby to pay her for the artist’s work.
The 5 & Dime Theater Company’s production was accompanied by complimentary authentic Middle-eastern dishes of stuffed grape leaves, …
The University of North Florida rugby football club, the Deadbirds, placed second in a national sevens tournament June 1-2, held by the National Small College Rugby Organization in Philadelphia, Pa.
Eight schools were invited to participate after they won regional tournaments. The teams played three opponents, and four were picked by their records to be in the semi-finals.
The Deadbirds made the semi-finals after going to 2-1, with the lone loss being to Occidental College. They played New England College, which was the only team to go undefeated through that point of the tournament. The game was extremely close and was won on a last-second penalty drop kick. The Deadbirds won 15-14 in a grueling match.
In the finals against Occidental College, the Deadbirds scored first, but Occidental was too fast and talented. They took the lead and controlled the pace of the game until UNF scored two tries late in the game, but it was too late. Occidental won the game 28-15.
The Deadbirds were not disheartened by the loss because they knew how good Occidental was.
“There was definitely some wear-and-tear on our team, but also their coach was a USA Sevens Eagles player back in the day,” Deadbirds captain Steven Krueger said. “That definitely didn’t help our chances. They knew the game better than we did.”
Krueger said the Deadbirds were only practicing twice a week, sometimes only once, before they entered the qualifying tournament.
"I’m extremely proud,” Krueger said. “It was good going from getting 14 guys together to run around and play rugby, not to run drills, to going to second-place in the nation.”
Krueger said the 13-hour trip to Philadelphia was worth it for the Deadbirds and they wouldn’t have been able to make it without the help of their sponsors, Gate Petroleum Company and Republic Services.
Krueger also urged people to attend UNF Deadbirds games later this year when the season …