Whether you want to sing a pirate tune with your mateys or enjoy some light-hearted comedy, the Colonial Crew Revue has a little something for everyone.
The variety show written by Scott "Grimm" Abrams takes place at St. Augustine’s Colonial Quarter every Friday and Saturday night. The versatile Picolata Players perform a musical based on the days when pirates still roamed the streets.
Although suitable for families, the show includes themes and innuendo for a pirate experience adults can enjoy as well. Unlimited refills of beer, sangria and wine are included for adults 21 and older.
The singing was great and each of the characters had different singing styles, but they all mixed together well. The character named El Comico, who was the goofy and funny heart-breaker, was chased around the stage and tripped over himself as scripted, yet sang perfectly the entire time.
The show got even better when Mayhem de Magnifico, the drunk and multi-talented trickster, awoke and started performing impressive magic tricks. The cast was very talented in many different aspects and it showed.
Easily the best part of the show was the audience interaction. The characters walked into the crowd almost every scene to have viewers add to the show and even join them on the stage at one point. The scene where Don Ramon Bellagrande and his “lovely wife” use the audience to tell the story of how they met would make anyone laugh.
Unfortunately, near the end of the June 21 show, it started pouring rain mercilessly. Some people left, but a surprisingly large amount of people, many without umbrellas, stayed to watch the end. The characters started throwing puns about rain into the show, which was obviously improvised. I thought that was wonderfully done and it let the audience know the actors and actresses recognized the sacrifice they were making to see the end of the show.
After the show, the cast members waited at the nearby Taberna del Caballo …
A near-capacity crowd filed into the Times-Union Center for the Performing Arts Oct. 18 hungry for the catchy pop hits and glittery costumes of "Mamma Mia!"
Before the curtain rose, one woman leaned over and whispered, “I’m sorry if my singing along annoys you.”
No one could be annoyed with dancing in the aisles, superb singing and touching mother-daughter moments in the high-energy musical.
"Mamma Mia!" — playing for two more shows Oct. 19 in Downtown Jacksonville — soars on hits by the Swedish group ABBA and the story of reuniting fragments of a shattered past during a wedding in paradise.
Bride-to-be Sophie, played by Chelsea Williams, dreams of having the father she never knew walk her down the aisle. Setting the chaos in motion, Sophie reads her mother's diary and writes to three men — believing one is her dad. All three men arrive at Sophie's wedding in Greece to the surprise of her mother Donna, played by Georgia Kate Haege.
Williams fits as the sweet and persistent wide-eyed heroine Sophie. That character type can be tiring, but Donna's practicality gives the story balance.
Donna, looking to rekindle her spirit as "El Rock Chick Supremo," is a fiery mop of blonde curls. Haege radiates independence, so key to the character, and her jaded delivery of some of the musical’s more dramatic songs was startling.
Gabrielle Mirabella and Carly Sakolove are stellar as Donna's old best friends Tanya and Rosie, respectively. The leggy, confident Tanya and the hilarious Rosie steal the show.
Sakolove's rendition of “Take a Chance on Me,” while seducing Bill was charming and heartfelt. Mirabella shimmied with young studs to “Does Your Mother Know.” The boys need to remember their backpacks the next time she takes them to school.
Mirabella spoke to Folio Weekly by phone a week before the show, and her love of the character Tanya was clear.
“If I could have played another role, I guess I would have played Donna,” …
The blue men of Blue Man Group never talk, so of course, they must have handlers.
Before opening night Jan. 21, those handlers picked me randomly in the audience and sized me up. They were seeing whether I had what it took to become a human paintbrush.
As it turned out, one of those handlers doesn't like reporters. After she heard I was the Arts & Entertainment Editor at Folio Weekly, I was not surprisingly almost out. But the other guy (Aaron) liked either me or chaos — or both. Fortunately, I met their other criteria: skinny, geeky, lover of the arts, not claustrophobic and seriously in need of a haircut. So, I was the man for the job.
Then, that woman who really hates reporters swore me to secrecy on BMG’s methods at the Times-Union Center for the Performing Arts’ Moran Theater. Maybe, I was getting the theater version of good cop, bad cop.
Backstage, I saw things that I may never speak of again.
The audience saw the rest. Near the end of a wild performance featuring Twinkies, lots of paint, plumbing, lots of percussion and several stunts, a blue man ventured into the crowd and found me. I hugged him, thinking this was a once-in-a-lifetime opportunity. He didn’t hug me back.
On stage, they put me in a jumpsuit and a helmet, setting me up for the human paintbrush stunt they teased.
Throughout the Artist Series show — the first of eight shows through Jan. 26 — Blue Man Group amazed. They caught “paint balls” and candy in their mouths, taught “Rock Concert” movements to the crowd and created paintings and sculpture in ways most of us could never imagine.
They took shots at high-priced art and our cultural fascination with technology while fusing audience interaction, stunts and percussion in a show estimated at about 100 minutes (no intermission). Many of the stunts — including mine — were videotaped, so theatergoers in the balcony could see the action via the big screen.
Though BMG maintains a vow of silence, …
Manhood gets a bum rap, but it wasn’t always that way. In the day of cavemen, man hunted the plains; he did what he wished and ate meat from bone. It was a simple time.
Today, bookshelves and talk shows and magazine stands snub men as assholes. The problem is, no men deny it. But can man defend — maybe even justify — his instincts? Can he, as the fictional Lester Burnham so nobly did, reclaim his dick from the mason jar under the sink?
Spear in hand, comedian Cody Lyman sets out to answer this question in the Broadway original, “Defending the Caveman,” running Feb. 12-16 at the FSCJ South Campus’ Wilson Center.
Lyman stormed the stage for opening night Feb. 12, joined by the Venus of Willendorf, which he affectionately dubbed the “prehistoric Angelina Jolie,” and a stone carved sofa and television set. He soon scatters his cave floor with some very worn-looking tidy whites and a shower-towel, because it’s just more comfortable that way.
The show started a little slow, but Lyman soon picked up steam with his cave-dwelling antics and quips that hit home for many couples in the audience. He explained how men and women’s respective hunter-gatherer roles still show up in everything we do, from sex to communication to conflict resolution.
The audience was mostly older, but the relationship comedy seemed to hit home with the been-there-done-that crowd. Still, college students would still get a kick out of Lyman’s all-too-accurate portrayal of bachelorhood — a world he describes as a “dirty, dirty, place.”
A few simple lighting effects, along with Lyman’s delivery, were very effective in transporting the audience from one scene to the next. One minute, we were in “sacred circle of underwear” in Lyman’s living room. The next, we’re in an ominous red-lit cave. The next, on a lethargic fishing trip. Lyman could change the mood of the theater …
Joey, the 18-hand-high star puppet of "War Horse," towered over reporters Feb. 18 just before meeting two real horses from Diamond D Ranch on the morning of opening night before beginning a six-day performance at the Times-Union Center.
'Bama (as in Alabama) and the miniature horse, Honey, were unimpressed with the celebrity of the evening.
“Horses have a very strong sense of smell,” Jessica Krueger, a rear-leg puppeteer said. “Bama can tell she’s smelling three puppeteers, not a horse.”
Joey couldn’t win the mares’ hearts, but the puppet had its notebook-and-camera-toting audience following its every trot, rear and neigh. Journalists remarked that, though they could clearly see the three puppeteers manipulating Joey’s movements, the puppet felt very lifelike as it approached and interacted with them.
Krueger said months and months of preparation has gone into creating that effect. She said the production team and the puppeteers studied everything they could about the movements of horses and their behavior — every detail down to a skin flick to shake off a fly or foot stomp or nostril flare.
They studied real horses with a little help.
“Luckily, a lot of horse owners like to post videos of their horses on YouTube,” Krueger said. “So we’ve been able to do a lot of research from those.”
One of the biggest crowd-pleasers was the convincing neigh Joey’s puppeteers could belt out on demand. It’s a layered, three-person a cappella that could echo through the Times-Union Center lobby. Krueger said that horses have lungs about three times as large as that of humans, so it worked out conveniently that it takes three performers to maneuver the full size puppets.
“We really have to train our voices for that,” puppeteer Danny Yoerges said. “We had six weeks off one summer and our voices were so out of shape, we were …
An adult Easter egg hunt? The mind reels with possibilities of what you might find hiding in the eggs. Mini-bottles? Condoms?
Although these speculations are as fabricated as the Easter Bunny, the event is real: On March 23, the Jacksonville Jaycees will host its second annual Adult Easter Egg Hunt at Hemming Plaza in Downtown Jacksonville.
For only $15, you’ll get the opportunity to relive childhood memories and possibly even find a prize egg. Over 1000 eggs will be hidden throughout the plaza. Inside each egg, participants will find candy or a prize ticket. Prizes include gift certificates and sweet swag baskets from local businesses like Sephora, Fionn MacCool’s, The Cheesecake Factory, Carrabba’s, Longhorn, Publix, Sweets by Holly, Crispers, Chipotle, Which Wich and PRP wine tastings.
There will be other “adult” offerings as well: beer, for starters. When the fast kids push you down and snatch all the eggs, you can drown your disappointment. The good people from Bold City Brewery will be there serving craft brew for $4 a pint, or you can purchase three beer tickets for $10.
Those Jacksonville favorites, the food trucks, will be on hand as well.
Funds raised at this event will go to support the many local community service projects organized by the Jacksonville Jaycees. The Jacksonville Jaycees are particularly involved with the Rodeheaver Boys Ranch, the Ronald McDonald House, Habijax, Wounded Warrior Project, animal shelters and other local charities on the First Coast.
You have to be 21 to participate in the Adult Egg Hunt, but you don’t have to bring your own Easter basket — loot bags will be provided for you to lug away the spoils. This event is rain or shine, and the organizers suggest that a flashlight might come in handy to help you spot those elusive, well-hidden eggs. There will be photo opportunities you won’t want to miss. Think of how awesome you’ll look in your new Facebook …
As the ball fell into the water on Tiger Woods’ first shot on the 14th hole, his hopes of winning The Players Championship appeared to be sinking fast on Sunday.
Instead, it was Woods’ rival, Sergio Garcia, who met his end in the water — twice on No. 17 and again on No. 18.
The final round of The Players was billed as a slugfest after Woods and Garcia sparred verbally over an incident in the third round Saturday at the TPC Sawgrass Players Stadium Course.
Despite Woods being at the top of the leaderboard for almost the entire day, his double-bogey on the 14th hole pulled him back to the pack. Because of it, Woods and Garcia were tied at 13-under as Garcia teed off the 17th hole.
Garcia proceeded to hit the ball into the water twice and left the hole with a quadruple-bogey on his scorecard. It became worse when he hit his first shot on the 18th hole into the water. He plummeted from 13-under to 7-under over the final two holes of the tournament.
On Saturday, Garcia claimed that Woods wasn't paying attention and caused cheers in the gallery while Garcia was hitting a shot from the fairway on the par-5 second hole.
Woods, who finished with a 13-under 275 on Sunday, outlasted all challengers as Jeff Maggert also hit his tee shot into the water on No. 17 to make double-bogey. David Lingmerth, a Swede who now lives in Jacksonville Beach, shared the 54-hole lead with Woods and Garcia, and he missed a birdie putt on No. 18 that would have forced a playoff with Woods.
Lingmerth finished in a tie with Maggert and Kevin Streelman for second — two shots behind Woods.
After winning in 2001, Woods now becomes one of only five golfers to claim two Players Championship victories at TPC Sawgrass — joining Fred Couples, Steve Elkington Davis Love III and Hal Sutton.
It was also Tiger's 78th PGA Tour victory overall, which puts him four behind Sam Snead’s record 82 wins. Woods claimed $1.71 million with the …
Symbiote Spider-Man and Wonder Woman are talking in the corner. Zelda and a Stormtrooper are posing for pictures.
Worlds collided as fans enjoyed playing as their favorite characters, straight out of comic books, video games and fantasy July 13 at the Legend of GAAM at The Museum.
The Games, Art and Music event included a art sale benefiting Child's Play, a charity dedicated to improving the lives of children in hospitals with toys and games.
The event also included a cosplay contest for those dressed in character, a magic show in the "Lost Woods," a dance contest in Ganon's Dungeon and a DJ playing many memorable tunes from video-game classics as well as live music from On Guard. Nevado Arts put on a martial arts demonstration, while vendors offered prizes.
A photobooth designed to mirror the world of Zelda greeted you on your way in. Many took pictures posing in their Zelda-inspired costumes and props.
A gaming room with more 20 TVs and other consoles throughout The Museum invited gamers to plug in.
The first GAAM event was themed on the "Street Fighter" series and also included a 3D lifesize Mario game outside The Museum. That event drew about 350 people in December.
The Legend of GAAM sold out with more than 600 enthusiasts enjoying "The Legend of Zelda" theme, including the Triforce, rupees, health hearts and a three-leveled Zelda walk-through with the Night Sky, Fairy Cave, Lost Woods, and Ganon's Dungeon.
GAAM founders Ryan Thompson, Derrick Nevado, Logan Zawacki and Edmund Dansart created the events to bring awareness to the gaming industry in Jacksonville and help strengthen it.
Thompson originally made fan art for the 25th anniversary of "Street Fighter" and put it on Tumblr. He received a strong response and realized he wanted to do something even bigger. Then, he met Nevado, Zawacki and Dansart and GAAM was born.
It’s easy to see when somebody loves what they’re doing. It’s plain as day to spot and nearly impossible to imitate. They could repeat it every day and night for years and still their eyes will light up and they’ll look like a kid who just surprised themselves, learning how to do some exciting new thing.
Five decades into an illustrious career, Tommy Emmanuel still loves playing the guitar. That was clear for his audience on the opening night of his two-day performance with Martin Taylor at the Ponte Vedra Concert Hall on Feb. 20, because he’s damn good at it.
The duo draws a motley crowd — a near-even mix of Van Halen-era tour tees and double-starched collars. Of snarled manes and wispy greys. When Emmanuel picked up the guitar, the reason behind the dichotomy became clear.
The man can shred the cheese. He’ll out-solo the best of ‘em, and then just keep going until he feels like doing something else, giving the audience his self-assured wink-and-nod service the entire time. Still, there’s a sophistication to his playing. Ten fingers conduct their six-stringed orchestra, coaxing an eclectic array of textures and moods and percussions out of one instrument. It looks like a parlor trick, and he’s very aware of that, making extraneous, often humorous moves with his hands as bedroom rock-stars young and old study the master’s every move, hoping to witness his secret.
The secret is, there is no secret. It’s apparent from the ear-to-ear grin and the way he struts about the stage that he’s simply a big kid playing with his toys — he's just been playing with them a whole lot for a quite a long time.
The show is nearly all guitar-driven, though Emmanuel does chime in with his Australian take on a honky-tonk drawl for a few verses of “Deep River Blues.” When he does sing, it takes a backseat to his playing and when he doesn’t, you don’t really miss it — and that’s not a knock against his voice. Like classical music, …
The animated American classic "Scooby-Doo" with the medling, mystery-solving gang of teenagers and their talking great dane comes to life in "Scooby-Doo Live! Musical Mysteries."
The cartoon originated in 1969 and is still in production today, a staple in children’s animated television. There may be some superpowers at work aiding the staying power of Scooby and the gang all these years, but whatever has been keeping audiences captivated is one mystery that doesn’t need solving.
Folio Weekly spoke to Cody Collier, a Springfield, Mo., native who plays Scooby-Doo, by phone about his experience on tour.
Folio Weekly: How long have you been performing and perfecting your craft?
Cody Collier: I was really shy as a child all the way up and through middle school, and it wasn’t until high school that I started doing these school plays. Then, it branched out to community theater and stuff like that, and then after graduation I moved to New York to study it — The New York Film Academy acting for film conservatory — and I decided to take dance classes and voice classes and stuff on the side while studying acting in New York for the past year. And after graduating there, I went to the Boston Conservatory and studied musical theater just to get back in the groove of singing and dancing, because I had been acting all year long. And then after I got back to New York, I auditioned for "Scooby-Doo." I’ve been at it for a short amount of time compared to other people.
F.W.: Did you think that you would land the role of Scooby when you auditioned?
C.C.: I wasn’t really sure because whenever I originally saw the casting notice for "Scooby-Doo," I submitted for Scooby, Shaggy and Fred — all three of the lead roles there, and I never heard anything back for a month or so. Then, I saw they had a second casting notice posted and they hadn’t found a Scooby-Doo yet. So I was like “OK, what the heck?” and I …