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A Medium, Rare

Many a comedian has died, metaphorically, on the stage of the Comedy Zone over the years. Cindy Kaza may be able to contact some of them when she makes her Duval debut on Aug. 22. The 36-year-old Detroit native, who now lives in Denver, has developed one of the more unusual acts you’re likely to ever see: As a professionally trained “psychic medium,” Kaza does much of her work onstage at comedy clubs around the country. It’s a bit intense for the setting, but Kaza approaches the work with a diligence and sincerity that can be disarming for the cynics who typically frequent such places. She answered a few questions, via email.

Folio Weekly: How long have you been doing this for a living? How long as a performer? In how many cities/states/countries have you performed?

Cindy Kaza: I have been working professionally as a medium for 10 years and have been touring the United States doing live shows for four years. I’ve worked in about 20 states in America and have also worked in Singapore, Indonesia, Malaysia, England, Holland, Germany and France.

How long did it take to gain proficiency? How much training did it require?

I've been diligently studying mediumship since around 2007, but my journey into this field began in 2001. I had my first memorable experience at age 10, but pushed my ability away for several years, as it frightened me initially.

What religion were you brought up in? What role, if any, does your faith play in your approach to the work?

I was baptized Catholic and grew up in a Catholic household. I believe there is truth in all religions and that whatever path a person chooses to get closer to God is his/her choice. Does my faith in God play a role in my work? Yes. I talk about God a lot in my work. I believe the ability to feel the presence of our loved ones on the other side is innately human and that every human being can have his/her own personal experience. Some people are more in touch than others. I …   More


Groups Call for Removal of CONFEDERATE Monuments

Today representatives of the Jacksonville Progressive Coalition, the Northside Coalition and Take 'Em Down Jax gathered in the afternoon summer swelter at Confederate Park in Downtown Jacksonville. Their message was clear: Remove Confederate monuments and memorials from public lands.

The movement advocating removal of Jacksonville's Confederate monuments has been slowing gaining traction for some months; last weekend's rally in Charlottesville, Virginia-which claimed the life of 32-year-old Heather Heyer when a car reportedly driven by a white supremacist rammed into a crowd of counter-protesters-has given it a new sense of momentum.

In response to the "horrific and unacceptable incidents" in Charlottesville, on Monday, Jacksonville City Council President Anna Lopez Brosche called for all Confederate monuments, memorials and markers on public property to be inventoried, then removed and relocated to museums and educational institutions.

In a media release, Brosche said, "It is important to never forget the history of our great city; and, these monuments, memorials, and markers represent a time in our history that caused pain to so many."

At today's press conference, Kristin Kiernan of Take 'Em Down Jax began by saying, "Today we must stand together. When equality is under attack, we have to fight back."

Kiernan expressed her dismay that racism is being learned by children at such a young age, and stated her desire for the community to "work together against hate and oppression." Only then, she said, could equality be achieved.

"It is not about a statue. It was never about a hot dog and a coke," Kiernan added, quoting activist Rodney L. Hurst, who was one of those beaten during the city's infamous Ax Handle Saturday in 1960, during which black activists attempting to dine at a Downtown Jacksonville lunch counter were bludgeoned by whites, including members of the Ku Klux Klan, some wielding ax handles.

Several, including Kiernan and Ben …   More

the flog

Council President: Take Confederate Memorials Down

Jacksonville City Council President Anna Lopez-Brosche has called for the city to start the process of removing all the Confederate monuments, memorials and markers from public property.

Telling WJCT that she has directed Parks and Recreation to inventory all the monuments, Brosche said that she will introduce legislation directing their removal after the inventory is completed; following removal, the monuments would be relocated to museums and other places of learning.

In a statement sent out Monday, Brosche said she was following the examples of former Florida Governor Jeb Bush and the Florida senate, which removed monuments from the state capital, "and in response to the horrific and unacceptable incidents that occurred in Charlottesville, Virginia." On Aug. 12 in Charlottesville, a woman died and numerous were injured when a car plowed into a crowd counterprotesting white supremacists who had gathered to protest the removal of Confederate General Robert E. Lee's statue.

Brosche's statement also read, "It is important to never forget the history of our great city; and, these monuments, memorials, and markers represent a time in our history that caused pain to so many."

This is a developing story.   More

the flog

The Democrats Need NEW Leadership

There is an epidemic of insanity permeating the leadership of the Democratic National Committee. Despite mounting losses, they continue to actively alienate and antagonize the very group of voters that they need to win. This increasingly profound incompetence and lack of ethical standards makes them unworthy to lead the party.

Instead of championing progressive causes heavily favored by the increasingly dominant Millennial generation, they've rebranded themselves as an anti-Trump "Resistance." Are Millennials buying it? Do a search for the Twitter hashtag #McResistance. That's what they've been calling it on social media. It's a mocking reference to what this generation sees as a cynical and amusingly obtuse marketing campaign clumsily disguised as a resistance movement by a political establishment that doesn't have a clue.

Despite the fact that the Millennials are coming of voting age and have now surpassed the Baby Boomers as the largest generation, the Democrats still refuse to listen to this burgeoning demographic. Millennials tend to be way more progressive, more inquisitive, and much more hostile toward Neoliberalism and the establishment that clings to it. They're also far less likely to be influenced by marketing.

So what have the Democrats done to earn the Millennial vote? Not a damn thing. Instead, they continue relying on outdated fear tactics and obnoxious marketing techniques, refusing to budge on issues like free college tuition and reforming Wall Street. They also had to be dragged kicking and screaming on gay marriage, raising the minimum wage, and now Medicare-for-all. These are the Democrats we're talking about.

In spite of the Democrats reporting a whopping $3.3 million of debt in June, the failed decision-makers who caused it are still sitting comfortably at the top. Florida Democrats like Congresswoman Val Demings and Senator Bill Nelson must be put on notice that their constituents will no longer vote for anyone who refuses to …   More


Friends of the Jacksonville Public Library to the City: Don't Cut Our Budget, Raise It

This morning, Friends of Jacksonville Public Library gathered in front of the Main Library with a plea to the city: Don't cut our budget-restore it.

The group believes the mayor's proposed $500,000 cut to the materials budget will further diminish the quality and number of library resources available to the public. The mayor's office did not immediately respond to an emailed request for comment.

In a handout distributed at the press conference this morning, the Friends point out that the library's materials budget was $5.3 million in 2005; for next fiscal year, the entire materials budget, $2.9 million, is less than 2005's print books budget alone. The city isn't the only one slashing the library's budget; the state has proposed a $150,000 reduction in the funding it provides to JPL, according to the handout.

Fewer resources mean longer wait times for popular titles, and fewer periodicals and other materials. Anyone who has tried to check out a new bestseller knows the "hold" blues. Wait times of several months for popular titles and films are not uncommon.

To address the accumulated loss in purchasing power caused by 13 years of cuts, the Friends are asking for an increase of $850,000 for materials and $1.1 million to add a sixth day of service at nine branches: Argyle, Beaches, Mandarin, Maxville, Murray Hill, San Marco, South Mandarin, West and Willowbranch.

Along with several others, Friends member Harry Reagan, a former president of the group, lamented how few libraries are open on Sundays; they'd like to see all libraries open six days a week. According to the library website, of 21 branches, only five-Main, Highlands Regional, Pablo Creek Regional, Southeast Regional, Charles Webb Wesconnett Regional-are open on Sundays, and for only four hours in the afternoon.

In an apparent nod to the proposed addition of 100 new cops to the Jacksonville Sheriff's Office, for which funding is included in this year's budget, Reagan noted that the …   More

Shocking Event & UNSETTLING Art


Inside a tiny Murray Hill apartment, artist Paul Owen Weiner is laboring on a new body of work. It's designed to challenge viewer’s (and his own) notions of patriotism, nationalism and anxiety. He’s here in Jacksonville as the current resident artist of Long Road Projects, the artist residency and edition house founded in 2016 by Stevie Covart Garvey and Aaron Levi Garvey.

“My work usually starts with some kind of shocking event,” he said, “and the [2016] election was that shocking event … there was no turning back.”

A native of Aurora, Colorado, Weiner talked about the ways in which he thinks art should operate—as a part of a larger dialogue without a crisp ideological edge. He notes that being in Aurora when the Century Cinema 16 mass shooting occurred directly influenced his work—away from obsessive personal mark-making and into things dealing with information and misinformation; and how physical places inform bodies of work: “there is history, but which history,” he posed rhetorically.

The new in-process pieces are a suite of American flags that have been painted black, and the accompanying paper pieces divorce the symbols of the flag from their context (stripes and stars). “These black flags ask you to be introspective about your relationship to America,” said the artist. “I am interested in these as a mirror of society [...] and as a mirror of the person standing in front of it.”

The question, of America and American-ness, is one that always needs examination, but now, as Washington seems determined to return to the “great” days of buggy whip factories and hand-crank telephones (because really, who does know how computers work?), and of one kind of American; discourse and disagreement are more important than ever. Right now, said Weiner, his biggest concern isn’t the people who might disagree with him; it is censorship …   More


A New Job for SPICEY

The moment that pundits have been predicting for months came this afternoon, when White House Press Secretary Sean Spicer resigned his post. Sob. We actually kinda liked that guy. Like stinky, cranky, kleptomaniac Aunt Mildred, sometimes you only realize how much you cared about someone after they're gone.

Now that Spicey has been freed from endless Melissa McCarthy impressions of him and classic Saturday Night Live gags, he can finally pursue his longtime dreams of becoming:

Mike Tyson's sparring partner. Nothing hits like the champ, except working in the Trump White House.

Kim Jong Un's ass wiper. Sure, it stinks and the pay's shitty. (See what we did there? Nyuk nyuk nyuk.) But Un can only drop so many bombs a day, unlike a certain orange commander-in-tweets who shall not be named. Ever wonder what "beautiful chocolate cake" looks like post digestion? Spicey knows.

Dumpster fireman. With his experience, he'll sale through the application process for this dream job.

Sewer rat. Spicer has clearly proven his ability to swim through rivers of filth and keep smiling.

James Comey's roommate. Feels like these two crazy cats will have lots and lots to talk about.

Cleveland Browns new mascot. What? Like there's a worse job than Donald Trump's Press Secretary.

But who are we kidding? Obviously he's going to write a tell-all book. It's a pretty predictable move, but you know you'll read the hell out of it.



Edging into Art Historical LORE

Jerry Uelsmann is inarguably one of the most important photographers of the 20th century, in terms of technical ability and longevity. As a former professor at the University of Florida (1960-’98), his impact on and accessibility to photographers on the First Coast has had a tangible imprint on the work made here (and on anyone using the Adobe suite of photo-editing tools).

He also has contacts here, and thus, it’s not unusual to see his name pop up in tandem with Jacksonville artists, in Jacksonville galleries.

Right now, as a part of Southlight Gallery’s Summer Wall display, there is an Uelsmann print, Myth of the Trees, on view.

It is an exemplar of his work.

Seamless and dreamlike, it obliquely references The Hallucinogenic Toreador: a female form within a male form, both seemingly joined to land and sky, with a starburst in the heart-space of the female form. As images go—especially Uelsmann’s—it is accessible in a linear kind of way.

However, it also raises the specter of Diane Arbus. Arbus, whose works (and lifestyle) couldn’t be further from Uelsmann’s own, once visited his class in Gainesville as a guest lecturer.

According to Arthur Lubow, who wrote the 2016 biography, the visit was not an overwhelming success.

Asked by Uelsmann if she’d like to view his own work, Arbus sped through about 15 prints in two minutes, and then announced she was ready to go to the airport.

One faculty member characterized her talk as marked by “an almost aggressive vulnerability,” while Lubow himself writes about her in such a way as to suggest that she enjoyed shocking—with talk of menstruation and nudist colonies—the university folks.

This is just a tiny footnote in art history, but it's the kind of absurd tidbit that is ever so tasty to know. To reflect on this a little more, visit Southlight Gallery, 11 a.m.-3 p.m. Tue.-Fri., at 50 N. Laura St., Ste. 150, Downtown, …   More


All the LIGHT You Can See

One of the things about contemporary art is that it is, in fact, contemporary. The SCAD Museum of Art up in Savannah is almost always worth the two-hour drive straight up I-95.

This summer, the museum has mounted a particularly impressive suite of solo shows. Of special interest are the works in an exhibition of Carlos Cruz-Diez's chromatic provocations. Cruz-Diez primarily works in the realm of color theory and intervention-as such, his works are chromatic studies that seem to change color and move, depending on the viewer's position and eye movement in relation to the image.

These works are especially interesting in light of MOCA Jacksonville's newest atrium installation, by Gabriel Dawe, Plexus No. 38. Dawe is garnering international attention for his extraordinary use of simple materials in an ongoing series of formalist explorations into color and light: an exploration of the full visible spectrum of light. Dawe uses sewing thread and hooks to craft abstract, somewhat architectural renderings in the air that seem to shift as the viewer shifts her/his position in relation to the work. As Alicia Ault wrote, "It is almost as if the artist embroidered the air."

Like Cruz-Diez, Dawe makes experiential works. However, in leaving the boundaries of Earth, Dawe has not only made light visible, but tangible, too. Seeing both artists' works within days of one another adds depth to both experiences and makes whole the argument for those artists who chose to operate within a more formal aesthetic.

For more about Gabriel Dawe, check out our recent interview with him.   More


REBELS from Space

There's been a lot of talk about Confederate symbols of late. In recent years cities like Orlando and New Orleans have removed their monuments to the failed rebellion of the 1860s, states like South Carolina have finally taken the Confederate flag off the state capitol dome, and even Jacksonville has acquiesced to demands to rename Nathan Bedford Forrest High School literally anything but that. It's gotten some folks to wondering if our Confederate statues are coming down next. They've even gone and started a petition.

Well, let's not get too ahead of ourselves. Sure, Robert E. Lee didn't start the Ku Klux Klan, but he was a general in the Confederate Army, and he's still got a local high school named after him, a school that has the Generals as its mascot and calls its yearbook The Blue and Gray, a school that's located in a ZIP code where nearly a third of the population is black--and there are no plans to change that school's name anytime soon. (Other local schools named for Confederate "heroes" include: Jefferson Davis Middle School, Kirby Smith Middle School and J.E.B. Stewart Middle School.)

Even if efforts to change the names of the aforementioned schools and remove the monuments are somehow successful, there's another little-known local Confederate tramp stamp in the aptly named Confederate Park.

Look at the aerial Google photo below. Notice anything, um, rebellious?


Now check out the topographical picture. See a familiar shape?


A closer look:


Yep, Confederate Park is basically laid out in the shape of a Confederate flag. You might not notice it at first glance, but trust us, it's like the Man in the Moon: Once you see it, you can never unsee it.

Makes us wonder if the park designers saw into the future when other towns would start trying to heal the wounds of the past by removing statues and markers and were like, "Nuh-uh. Hey, Nate B., hold my beer. We're gonna build a Confederate flag you can …   More