Sax, Jazz and Rock 'n' Roll
Contemporary chart-topping crossover saxophonist Mindi Abair brings her rock and R&B roots to the jazz stage
Several locations, stages and venues stages throughout Fernandina Beach
Several events are free; schedule subject to change
Mardi Gras-style street parade and Dixieland Jazz Brunch featuring the Spare Rib Six — New Orleans-style jazz band with Les DeMerle with Bonnie Eisele and special guests, 11 a.m.-12:30 p.m. for first seating, 1-2:30 p.m. for second seating, David’s Restaurant & Lounge, 802 Ash St., Amelia Island, $60.
Jazz in the Park, featuring TGIF U.S. Navy Jazz Band, 4-6 p.m., Amelia Park, Park Street near the YMCA, Fernandina Beach, free.
Jazz Festival sponsor party with Les DeMerle Jazz All-Stars with Bonnie Eisele and special guests, 7-10 p.m. (by invitation only for bronze saxophone sponsors and above), Omni Amelia Plantation Racquet Park’s Heron Room.
Jazz at the Movies, featuring “Chops” documentary of Douglas Anderson High School’s Jazz Band, 7-10 p.m., Omni Amelia Plantation Racquet Park’s Heron Room, $15 for adults, free for students with valid ID.
Red, White & Blues Concert and wine tasting featuring DieDra & the RuffPro Band, 7-10 p.m., Sandy Bottoms Beach Bar & Grill, 2910 Atlantic Ave., Fernandina Beach, $35.
Latin Jazz Concert & Dance featuring El Niño & the Latin Jazz Knights, 7-10 p.m., Sandy Bottoms Beach Bar & Grill, $25.
Jazz at 6, 2012 AUF scholarship-winning saxophonist Boyce Griffith with the Next Generation Jazz Band 6-7 p.m., Feelin’ Good, featuring The Dynamic Les DeMerle Band & Bonnie Eilele with guest saxophonist Jessie Jones Jr. 7-8 p.m., Royal Crown Revue 8:30-10 p.m., Omni Amelia Island Plantation Resort Racquet Park AUF Concert Pavilion and Birdland Stage, 39 Marsh Lagoon Road, Amelia Island.
Late Night Super Jam Session “Bebop, Blues and Beyond,” featuring “jazztet” with Mike Levine and headlining musicians of AIJF, 10 p.m., Veranda Restaurant, 6800 First Coast Highway, Fernandina Beach.
Tickets for all Oct. 11 shows: $45 general admission, $65 VIP, $100 front section.
Drum Clinic Spectacular, tribute to Gene Krupa and Buddy Rich, featuring drum masters Daniel Glass and Les DeMerle; drum clinic, noon-1 p.m. ($25); master class, noon-2 p.m. ($50) at Omni Amelia Island Plantation Resort Racquet Park’s Heron Room.
Jazz at 6, featuring AUF 2013 scholarship winner Richard Roberts on trumpet with saxophonist Boyce Griffith & the Next Generation Jazz Band 6-7 p.m., Tribute to Cannonball Adderley & Nancy Wilson featuring The Dynamic Les DeMerle Band & Bonnie Eisele and guests Jessie Jones Jr., Bobby Pickwood and Mike Levine 7-8 p.m., Mindy Abair 8:30-10 p.m., Omni Amelia Island Plantation Resort Racquet Park’s AUF Concert Pavilion and Birdland Stage.
Late Night Super Jam Session, “Back to the Chicken Shack Jazz and Blues” featuring Don Zentz, Bobby Pickwood and headlining musicians of the AIJF, 10 p.m., Veranda Restaurant.
Tickets for all Oct. 12 shows: $45 general admission, $65 VIP, $100 front section.
Smooth Jazz Brunch, featuring Mike Levine, piano; Dennis Marks, bass; Les DeMerle, drums, and guests; 11 a.m.-1 p.m. for first seating, 1-3 p.m. for second seating at Omni Amelia Island Plantation Resort’s Sunrise Café at the Inn, $50.
A Florida native who spent her freshman year at UNF's jazz program under Rich Matteson, saxophonist Mindi Abair makes her debut performance at the 10th annual Amelia Island Jazz Festival next week. As one of America's most recognizable female saxophonists, Abair has sold a half-million records as a solo artist, but many know her primarily as the featured saxophonist on "American Idol" for the 2011 and 2012 seasons.
While topping the contemporary jazz charts, Abair readily admits to being a rocker and R&B fan at heart. Last year, she sat in for a night with Bruce Springsteen at the famed Beacon Theater. She even sat in the saxophone chair for two shows with Paul Shaffer on "Late Show with David Letterman."
Abair brings a rock ‘n' roll energy to the stage as a powerhouse on the saxophone, harking back to the days of Junior Walker or King Curtis. Her solo career has produced 10 No. 1 radio singles and six major-label solo releases that have topped the contemporary jazz charts. Abair has hosted the internationally syndicated radio show "Chill with Mindi Abair" for eight years.
Folio Weekly: When you moved out to LA upon graduating from Boston's Berklee College of Music, did you ever harbor any doubts you'd be able to break into the music scene? Reading your bio, I get that you were destined to become successful in the music industry.
Mindi Abair: Nearly everyone at 21 thinks they're invincible to some degree. We get out of college thinking, "There's going to be career that's going to be perfect for me." So I went in with all hope in the world that I was going to take LA by storm. But, of course, it's an amazing music scene and you do have to pay your dues. And I really ended up on quite a journey. I played on the street to make a living because I really wanted to play. I didn't want to say, "Do you want fries with that?" I had attended one of the best music schools in the world and I really want to make a go of it. So I booked myself and my band anywhere and everywhere I could. We played all sorts of gigs. On the streets for festivals, for marathons, at Macy's for their sales, in hotel lobbies, wherever I could. And I started my career as a sideman, playing for The Backstreet Boys, Duran Duran. Everything from jazz to rock to R&B. I got a great education, probably better than my college education [laughs] by playing with all these incredibly diverse artists. It was a real trip that I got to do that because it added to where I was. So I'm glad I didn't take LA by storm; it turned out better this way.
F.W.: You're well-established as a solo artist, so now you have the luxury of choosing the cream-of-the-crop gigs to tour or record as a sideperson.
M.A.: Every once in a while, something comes up that you just can't say no to. And throughout my career I've been asked to work with different artists. Last year, Steven Tyler from Aerosmith called me and asked if I'd tour with his band. So of course I said yes. They hadn't toured with a saxophonist since 1973. It wasn't a horn section, it was just me. Pretty unbelievable. So I put my own career on the side for a couple of months and hit the road with one of the biggest rock bands in the world.
F.W.: How is the vibe different when touring with a group like Aerosmith versus your own band?
M.A.: First, I fashioned my career on being a solo artist. That was always my dream. I always wanted to write my own songs and perform them. There's such a high from doing that — the energy and dynamics of playing in front of an audience that knows your music that purchased a ticket specifically to see you perform. That's the greatest sensation in the world. It's such a beautiful relationship you have with that particular audience. They paid money to come see your show and hear your music. On the other hand, you go out with Aerosmith, it's generally a much larger audience [laughs], and tens of thousands of people know every song. But they didn't come to see me, they came to see Steven Tyler and Joe Perry and the rest of the band. And I'm not playing my songs, I'm playing their songs, so it's a different vibe. That's not to say one's better, however. I actually played the Hollywood Bowl last year, two weeks apart. I played it with Aerosmith and then two weeks later, I played it with my band for a jazz gig.
F.W.: Same capacity crowd?
M.A.: I think we were only two or three thousand less.
M.A.: Aerosmith was just amazing, and it was fun, extravagant, full-tilt rock 'n' roll and it was just amazing. But then I got in front of that crowd with my guys and I got all choked up because it meant so much to me because they were there to see me. And that was a stronger experience emotionally. So I'll choose to be on stage playing my music. But every once in a while, it's fun to moonlight. [Laughs.] But for the long haul, I'll always be a solo artist.